Mama to Son
Well, you do have a curfew,
And it’s one o’clock,
Not half-past, not two,
So you’d better be home
When the clock strikes one,
Or you’ll soon find out
That home’s much better
When mama’s not mad
About finding you out
So late with a friend
That her mama gets mad
And then calls here
To relate, friend to friend,
At half past two
That you can’t call there
Till you don’t need a curfew.
The Desk
I bought it in an online auction, then
paid more to have it stored until it could
be trucked from Jersey to the Georgia shore.
At last it takes its proper place—in the
best corner of the larger bedroom of
a renovated condominium.
Made of mahogany, it has two shelves
for books and folders, plus four drawers for pens
and papers so important to my work.
Its surface holds both a computer and
a printer—neither large enough to block
the view of waves on rocks along the beach.
Its legs resemble lyres—suitable
for sounding poems to be written there
as tidal cymbals clash and crash outside.
for a résumé
“I can fold a fitted sheet”
is insufficient
but around the house such skill
has more than ample value
Bio
I’ve never gone to Disney World,
Nor have I wanted
to;
I’d rather visit some resort
That caters to
the few.
And I am not a Facebook friend
Of those who do
post there;
Instead I write or call the ones
Who genuinely
care.
I power off the Super Bowl
Soon after it’s
begun;
Except for ads, the game is not
What I consider
fun.
And Real Housewives or Jersey Shore
May have devoted
fans;
I am not one, and so it goes
For the
Kardashians.
I seldom fill out feedback once
I purchase stuff
online;
I like to save the time it takes
To write “just
fine” or whine.
And I refuse to “comment” on
An item in the
news;
I much prefer my rant or rave
Get fewer public
views.
In any conversation I
Stay very true to
type;
I shun each subject that becomes
Objectified by
hype.
It’s strange that I am willing still
To wait upon the
Muse;
Someday, perhaps, I’ll recognize
I’ve fallen for
her ruse.
JANE BLANCHARD divides her time between Augusta and St. Simon’s Island, Georgia. Her work has appeared in Southern venues such as James Dickey Review, Pembroke Magazine, Poetry South, and Thema.
JANE BLANCHARD divides her time between Augusta and St. Simon’s Island, Georgia. Her work has appeared in Southern venues such as James Dickey Review, Pembroke Magazine, Poetry South, and Thema.
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