In
fragments, in bathroom shadows.
Hotel
wardrobes opened to empty hangers.
Cut
spring grass.
—How
the dead come to us.
In
the flicker of I was here
while you stood there, though the loved face
never does swing
fully into light, the lips
don’t sprout new
proverbs. In dreams,
when we forget,
simply, that they are dead.
…
The day she died
she turned to him and said, Ben, I’m dying.
You’re not
dying, Betty, he insisted. Then the lights began to flash.
…
All day he keeps
the TV on, the box
turning blue at
the corners, as if to flood
while the
weatherman inside it
preaches the
coming of the storm.
It’s been a good TV, he nods, the way
you might say he was a good dog.
Tonight the
storm will leave these mountains
half a foot of
late wet snow
before it thins
into a sheet of rain just
north of Bull
Run, to mist over the mall in Warrenton,
a shiver in the
bamboo leaves
outside my
window, here in Charlottesville,
where I read in
warm lamplight.
Form is
everything. I am here,
so are you,
reading at this moment.
ANNIE KIM was born in Seoul, Korea, but now lives in Charlottesville, Virginia where she works as an assistant dean for public service at the University of Virginia School of Law. A graduate of Warren Wilson’s MFA Program for Writers, Kim has been awarded a residency at the Centrum Arts Center in Port Townsend, Washington and the Lynda Hull Memorial Scholarship from the Indiana Review Writer’s Conference. In her spare time Kim plays violin in a local symphony and tries to beat her personal pull-up record.
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