From his
chair in the back room,
he sees
the morning glories thread
through
the fence, the oyster shells
mounded
a step away.
There’s
a clothesline, a black metal
framed
hammock, a concrete bench
tilted
to the ground, azaleas hosting
secrets.
Various
trees grow quietly: china ball,
oak and
fig, an old cushion he knelt
on when
caring for his tomatoes
and
merletons, yearning.
A picnic
table rusts in the shade,
where we
ate handfuls of barbecued
hot dogs
wrapped in paper napkins.
The
picture window in the back room,
surrounded
by stoic, pine paneling,
has
become a diorama to extend into
as
shadows bug scratch up the wall.
His
chair is gone. It’s a bed now, in
a place
where his life will breathe out,
a
teapot, signaling us he is ready.
A nun
watches, letting her prayers fall
to him.
She tells me, he’s calling
for his mother when he lifts
his arm,
and she’s reaching out for
him.
We’re all
there, nudging his younger
self,
assuring him it’s okay.
The scene is fixed on all
four corners.
FRED DALE, a native New Orleanian, is a husband to his wife, Valerie, and a father to his occasional jerk of a dog, Earl. He is a Senior Instructor in the English Department at the University of North Florida. His poetry has appeared or is forthcoming in Crack the Spine, Chiron Review, and others.
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